Productions

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In partnership with researchers from Lund University, University of Gothenburg, and Södertörn University, Tottemo Production created the short film Who Stands Up for Alvar (2024), based on real-life case studies on moral stress in eldercare. The film has been screened in municipalities, universities and public forums across Sweden and Europe, initiating vital conversations between care workers, policy makers, and students. Click here to read the Artistic Research output – Final Thesis MA in Film at HDK-Valand Gothenburg University

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Film
The screenplay won the competition for a dance film production 2016. Often dance in films jump out as a separate section but I wanted to challenge the old narrative- choreography dichotomy and was inspired by the contemporary dance icons like Pina Bausch. The film has since its release in end of March 2017 been invited to both narrative orientated and dance orientated film festivals and won several first prizes. I was also invited as an object of research to the International Meeting on Video- dance at Universidad Polytechnic de Valencia.

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Film
In this film I treated the subject of creativity, about how a composer gets out of her own chains of having to high expectations on her music that has left her concert unfinished.

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Film
In the film I treated the subject of striving for your dreams. Of how easy it is to fall into the trap of stereotype roles when two artists builds a family. How a dream can become a nightmare when the beautiful house that artist couple moved to in the woods is in need of so much maintenance that they loose contact and never see eachother.

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Film
The story was developed with the main pupose to entertain children between 4-8 years old. I was still convinced it could be done through a deeper subject. The boy is about to get three new siblings when his father decided to let his new fiancé move into his home.

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Film

SAM

The story is based on a true encounter with my first loves father. I had lived with SAM for a couple of years but never knew his father. I asked if we could go and visit him once. Of couse I have developed the story dramatised it but the trigger that mad me want to tell it was the fact that Sam´s father had named his dog after his son that he hadn’t seen for nine years. Shortly after we broke up and I moved to another country.

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Film
I was involved in the film production at a late state. The independent production outside of national film finance had been struggling to get a musical done with partly private and partly state financed resources. In the process the film material was rejected distribution and the production had to acquire external Artistic support of me as Dramaturg and Film Director. By a total revision of the filmic material I distilled a story that was intended as a subplot and developed this into becoming the main plot.

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Film
The process of creating the staged play was an extension of my research of Artistic Collaborative Tools. I started with a work group of 5 writer/actors and assigned them to take part in the adaptation of the Novel. After we had created a shared understanding of what sections of the book we wanted to emphasise on I took the next step in creating assignments for the participants to work out and improvise around.

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Theatre
I wanted to work with a comedy topic and started seeing an air balloon expedition. I recalled the tragic Andrée Polar Expedition from 1897 that was lost in the Arctic for 33 years and realised that this was a magnificent topic for comedy. As Woody Allen put it ”Comedy is tragedy plus time”. This was my third research into developing Artistic Collaborative Tools. This time the work group of 4 writer/actors had to work with documentary material.

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Theatre
The cermony was my final thesis at the Art University theatre academy’s Directing department. I wanted to research the border between the real and the magical as well as the dramatic character and stripped down present self.

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Theatre
I admire Strindberg’s inner cosmos in what must be one of the earliest post-modern pieces of drama. I used the classic’s strong feministic voice and adapted the play to take place in present day Helsinki. I wanted to challenge the limit of how far I could take the story to feel completely contemporary without loosing the beautiful structure of themes in the original.

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Theatre
This project was a monolog interpreted by Misa Lommi. In her mid twenties she was supposed to portray a woman of 80 years. We realized that within our bodies, whatever the age, there is another mental body that follows no rules but rather leads an emotional age that constantly changes depending on the change in mood.

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Theatre

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Commercials

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Commercials

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Commercials

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Commercials

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Commercials