Tottemo Production

Narrative Studio & Art-Driven Production House

We create stories that resist silence.

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We are a narrative studio and art-driven production house working at the intersection of fiction, documentary, performance, and artistic research. Our work emerges from lived realities and imaginative ruptures, told through film, theatre, installation, sound, and text. We train AI characters with stories, memories and moral architecture that offer companion, entertainment and guidence.

Through intimate stories and bold structural reflections, we expose the fault lines of society, question the logic of systems, and explore what it means to resist, transform, or simply endure.

Founded by director and writer Anna Maria Joakimsdottir-Hutri, Tottemo collaborates with artists, institutions, and co-producers to bring forward projects that carry both vulnerability and edge.

We offer narrative consultancy, direction, workshop facilitation, and cross-disciplinary project development. Our current focus lies in immersive formats, performative research, and hybrid storytelling.

Tottemo is expanding into the development of AI-driven characters shaped by story logic, moral architecture, and emotional resonance. We train narrative agents with complex backstories and ethically designed frameworks, intended not as passive NPCs, but as reflective presences capable of guiding, provoking, or supporting users within interactive environments. These characters may draw from memory, myth, or lived experience, offering companionship, challenge, or counsel.

We partner with technology developers and platform builders who seek narrative depth and artistic integrity in their AI systems, believing that fictional beings can be created not just to simulate, but to signify.

Productions

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RAN – Immersive installation

Set on the Swedish west coast in the 1760s, RAN tells the story of Anna, a young Finnish woman accused of infanticide. The narrative unfolds through court records, shifting testimonies, and subtle mythological echoes. RAN is a story about survival, justice, superstition, and the silence surrounding women’s experiences in history.

Through the supermarket in five easy pieces

The screenplay won the competition for a dance film production 2016. Often dance in films jump out as a separate section but I wanted to challenge the old narrative- choreography dichotomy and was inspired by the contemporary dance icons like Pina Bausch. The film has since its release in end of March 2017 been invited to both narrative orientated and dance orientated film festivals and won several first prizes. I was also invited as an object of research to the International Meeting on Video- dance at Universidad Polytechnic de Valencia.

The Sacrifice

The cermony was my final thesis at the Art University theatre academy’s Directing department. I wanted to research the border between the real and the magical as well as the dramatic character and stripped down present self.