Vattenfall

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Drakar is not a story about remembering trauma—it’s about surviving it through transformation. Irina’s dragons are not metaphors; they are survival tactics, visual weapons, emotional mutations. As a filmmaker, I am drawn to characters who rebuild their worlds from the debris of silence. This is a story about a woman who refuses to be defined by what was done to her—but instead by what she creates.

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Work in progress
Set on the Swedish west coast in the 1760s, RAN tells the story of Anna, a young Finnish woman accused of infanticide. The narrative unfolds through court records, shifting testimonies, and subtle mythological echoes. RAN is a story about survival, justice, superstition, and the silence surrounding women’s experiences in history.

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Work in progress
I was involved in the film production at a late state. The independent production outside of national film finance had been struggling to get a musical done with partly private and partly state financed resources. In the process the film material was rejected distribution and the production had to acquire external Artistic support of me as Dramaturg and Film Director. By a total revision of the filmic material I distilled a story that was intended as a subplot and developed this into becoming the main plot.

Category

Film