Work in progress

Drakar is not a story about remembering trauma—it’s about surviving it through transformation. Irina’s dragons are not metaphors; they are survival tactics, visual weapons, emotional mutations. As a filmmaker, I am drawn to characters who rebuild their worlds from the debris of silence. This is a story about a woman who refuses to be defined by what was done to her—but instead by what she creates.

Set on the Swedish west coast in the 1760s, RAN tells the story of Anna, a young Finnish woman accused of infanticide. The narrative unfolds through court records, shifting testimonies, and subtle mythological echoes. RAN is a story about survival, justice, superstition, and the silence surrounding women’s experiences in history.

Who Stands Up for Alvar" is born from a deeply personal place. It is inspired by the quiet heroes of everyday life—the caregivers, single parents, and the elderly—who often go unnoticed and unappreciated in a society obsessed with efficiency and output. This story stems from the frustration of witnessing systemic neglect and the heartbreaking ripple effects it has on individuals and families. It is also a love letter to resilience, humour, and the human spirit’s ability to fight back against insurmountable odds.